• Several years ago I sat down with a friend outside of our work place. Micah Rose had an idea for a short film, and since I was fresh out of film school I said, “Let’s make it!”

    After working on the script for three years, we finally did in 2011. I’m thankful we waited, because the cast we were able to get wouldn’t have been old enough back in 2008! I’m proud that Flower was my first post-school film, and I’d like to share it with you.

    DESCRIPTION:
    Lola is a seventeen-year old girl struggling with broken relationships. When she discovers she is pregnant, everything she hoped would give her meaning is put in jeopardy.

    FESTIVALS:
    Kingdomwood Film Festival 2013 – 2nd place, short film narrative
    Free State Film Festival 2013 – official selection

    CREDITS:
    Written, produced, and directed by Micah Rose Emerson & Jesse Koepke
    Cinematography by Benjamin Edwards
    Original Score by John Samual Hanson
    Edited by Jesse Koepke
    Color Grade by Aaron Williams

    CAST:
    Lola – Ariel O’Bannon
    Lawrence – Joseph Anderson
    Mom – Shelby Keith
    Young Lola – Olivia Prior
    Counselor – Laurie Crawford

  • Bent Heart Cover2Roger is out of milk. A senior citizen, the last thing he wants to do is leave the house. But doing so could be the best thing for his Cheerios—and the memories he wishes he could forget.

    Download the mobile-optimized PDF here.

    Excerpt:

    The house was old, like him. Some days as he walked this hallway the walls seemed to lean inward, tired after so many years. He had hoped that removing thepictures would lighten their load, but somehow the hallway only felt smaller. Rectangle stains marked the empty location of pictures like headstones.

    He stopped to straighten one of the two photos still on the wall. Emily smiled back at him, those faint dimples in her cheeks peeking out.

    These walls could be repainted. They should be repainted.

    A soft tolling of bells in the living room noted the time as half to the hour. Roger put his back to the dimples and graves and made for the front door.

    I hope you enjoy it!

  • Photo Oct 19, 10 13 12 PM

    If you want to be a writer, you need to write. You need to put words on the page and form them into a story. Thinking about it won’t do it, wishing for it won’t make it happen. To do it you need to set time aside, sit down, and focus on simply and only writing.

    Maybe you read that and think, “I want to but I don’t have time! And even when I do, I try to write and it feels uninspired and boring.” I’ve called myself a writer for years, but getting actual words onto an actual page has always been an illusive goal for me. Nothing sounded better than crafting an emotional, exciting story, but I would run out of time in the day or feel like I was cutting down a tree with a spatula.

    So today is a big milestone for me: I have written every day for the past two months. That adds up to just over 22,000 words.

    Those two months weren’t easy ones, either. In September I worked 12-hour days editing a documentary. I went on a 5-day trip to Colorado for a camping trip. My mom came to town for a visit. I moved to a new house. A couple weeks ago, I was in my roommate’s wedding along with many other out-of-town friends. Yet through each of those events, I still wrote every day—and it wasn’t because I am awesome.

    Be strategic with your writing

    The key to writing every day is to be strategic about it. If you just wait for it to happen, something else will inevitably come up. So here are a few things I’ve learned over the past two months.

    1. Set a ridiculously attainable daily goal. I rarely have huge chunk of time to set aside for writing, nor do I have the stamina or inspiration to write 5,000 words in a day. So instead I set a goal that sounded ridiculously easy to meet. For me that was to write 10 minutes a day. Surely I could find 10 minutes! On the days I really didn’t feel like writing (believe me, there were plenty), I would tell myself, “Just 10 minutes, that’s all you need to do. Then you can go sleep or relax and watch a movie.” The great thing is, once I got going I usually wrote for longer. My average time has been about 19 minutes per day.
    2. Think ahead through your day and find the best 10 minutes. When I was editing for 12 hours a day, I knew I wouldn’t want to write just before bed. Instead I wrote during my dinner break. On the day of my roommate’s wedding, I seized the first opportunity that came along.

      When something urgent pops up, we usually drop whatever we’re doing to take care of it. By thinking through your day you can plan ahead and get your daily writing in.

    3. Don’t edit while you write. I often will write a sentence, think it’s awful, and want to start over. But that disrupts the flow. It’s like pedaling a bicycle up a hill: if you stop every time you think your form is bad, you lose all momentum. Instead give yourself permission to fix the sentence later. You still are going to write a perfect sentence—just not this moment.
    4. Write with whatever is available. Because I am a video editor and sit in front of a computer all day, I am writing my book in with a notebook and pen. But some days, like my roommate’s wedding or road tripping to Colorado, I’m not able to carry around the notebook. In those cases I just grabbed my phone and wrote an email to myself. By not being tied to one place and one item with which to write, I can do my daily writing no matter the occasion or location.
    5. End your writing session with a cliffhanger. One of the hardest parts of writing can be just thinking of what to write! So I try to end every writing session just as something is about to happen in the story. Here are a few of my ending lines from random days:

      The gate clattered up and the kid drove us out of the elevator shaft.

      “Now if you’ll move to the next section,” the lady said, waving us on, “you can receive your earpiece.”

      Taking Edith’s and my hands, she pulled us out into the ship.

      See how each of those sentences suggests the next action? By ending this way, I have a direction to head the next day. I don’t have to think up something new and fresh; I just keep following the action from the day prior. This has helped me so much, and helps me spend my 10 minutes actually writing rather than thinking up new ideas.

    Why should I write every day?

    There are two main benefits to writing every day. First, you keep your head in the story. It’s hard to remember where you were in a story when you haven’t worked on it for a few days. Writing every day keeps the ideas fresh and rolling. It becomes something you constantly think about and mull over. When that happens, it is easy for me to sit down and write for 10 minutes because I’ve been thinking about it all day.

    Second, you become better at writing. Writing, like exercise, can be hard at first but then easier as your creative muscles expand. Since my daily average has been higher than my goal, last week I increased my time to 15 minutes. I’ve been pleasantly surprised that I’ve been able to write that whole time. My stamina has increased, which is a great sign.

    All that being said, don’t feel bad if you can’t write every day. Life gets crazy sometimes and that’s okay. If you’re in that place, I encourage you to look at your schedule and think of an attainable goal within your limits. Even if it’s only something like writing two days a week, that will be more than you are currently doing. And that’s progress!

    Progress is success

    I’ve never had a time like this in my writing, and it feels great. I feel competent as a writer, and the feeling of making progress inspires me to go write more. I’m sure a day will come when I just can’t write, but that will be okay. Because the story is still advancing, and that is success.

    Now if you’ll excuse me, I need to go write the opening of chapter 5. Emma is about to wake up to her second day in space and visit a friend who she left at a hospital. (That’s the cliffhanger I left yesterday:)

  • As Yet Unconquered

    Over the past several years, mobile technology has changed and expanded exponentially. The pocketable phone that could make calls and send simple text messages has morphed in shape and grown in use, becoming an indispensable tool. Almost a decade into the smartphone revolution, companies like Apple and Samsung have successfully taken over our palms. The space no one has conquered, however, is our wrists.

    Many have tried, certainly. Devices like the Pebble (which ran a lucrative Kickstarter campaign) or Samsung’s recent Galaxy Gear continue to come out, but none seem to catch on despite valiant efforts. The litmus test for success is simple: how many people do you see using them? I have never seen one in real life. In contrast, think back to when the iPod first came out. It didn’t take long before those now-classic white headphones dangled from ears everywhere you looked.

    And yet electronics companies plow on, like a love-crazed boy unable to give up pursuit of the girl who continually tells him no.

    A Different Approach

    Google today kicked up the dust yet again with the announcement of Android Wear, a version of Android specifically designed for “wearables”. (That’s probably not a phrase you’ve ever heard, so let me define it: an electronic device that you can wear, not just carry in a pocket or bag.) But like I do with most smartwatch news, I watched the announcement video with a well-practiced smirk. Who wants to wear a giant square thing on their wrist, no matter how many cool voice commands you can give it?

    That, I believe, is the crux of the matter: when I think of a watch, I think of one I want to wear. I use my smartphone, but I wear my watch. A smartwatch could have all of the power of a laptop, but I am very picky about the watch I wear.

    TimexHere you can see my current watch, the Timex Easy Reader. It’s thin, with a clean face and wonderful typography on the numbers. The leather band is thick and well made. I look at it countless times a day and am proud to wear it on my wrist.

    Would I replace it with something like the thick, square Galaxy Gear? Not a chance. I even tried fitting a picture of the Gear in this post but couldn’t find a good way to format the picture next to the Timex.

    And then I saw the Moto 360.

    Motorola’s philosophy in designing the watch hooked me right away in their introduction video. Immediately after the video finished, I registered for updates on the website and flipped over to Facebook to post the link. Guess what my comment was going to be?

    “This is the first smartwatch I might consider wearing.”

    Because you don’t use a watch—you wear it. It looks like Motorola got that part right, and I’m excited to see this thing when it comes out.

  • Recently my friends and I watched what most would agree is the weakest of the Indiana Jones films, The Temple of Doom. Coming off of the thrilling adventure of Raiders of the Lost Ark, there is something in the second Indy movie that doesn’t strike the same chord as the first.

    The reasons have probably been hashed out more than once since it came out in 1984, but I noticed a few things that for me derail the story.

    LEAPS IN LOGIC

    1. The OpeningRaiders hit the ground running with its iconic opening. So many things were introduced in the opening sequence: the traps of old ruins, life-threatening danger, double-crossing companions, hunger for ancient treasure, the film’s villain,  and of course the resilience, smarts, and adventurous spirit of Indiana Jones.

    In contrast, Temple opens with an extended song and dance number that doesn’t reveal much about the story beyond introducing us to Willie, the main female “character” (we’ll get to her in a minute). Once the musical portion is over, Indy appears in a suit and has a tense conversation with a businessman. Not exactly the rough-cut, live-on-the-edge guy we remember from the first film. Once he is double-crossed (that aspect is still present), there is a fight scene that is purposefully comical: balloons fall, Indy loses the fight against several bad guys, and Willie crawls around on the floor desperately trying to find a large diamond.

    Indy finally makes a dramatic escape—and grabs Willie on the way out, leading us to the main problem I have with this film’s story.

    2. Why is Willie there? Willie doesn’t know Indy at the start of the film; she sits down because she knows the businessman with whom Indy is talking. So why save her?

    But just for fun, let’s give Indy the benefit of the doubt. So they make their escape out the window and into the waiting getaway car. You could say the car’s young Chinese driver, Short Round, appears out of nowhere, but we learned in Raiders that Indy usually has a sidekick (i.e. Sallah, played by John Rhys-Davies), so we can let that slide.
    The next problem comes when they finally get to the airfield to board a plane, and Willie goes with them. She had a job! She doesn’t know Indy! Why is she going with him,  and why is he bringing her along?!

    This question looms over the rest of the film for me. Willie doesn’t do anything helpful the remainder of the film.

    3. Why is Indy looking for the stones? In Raiders, the journey of the film is set into motion by men asking Indy for help in search of the Ark. They know of his skill, the bad guy Nazis are front and center, Indy decides yes, let’s unravel this mystery before the Nazis (cue the ticking clock).

    In Temple, everything happens by accident: they happen to get on the bad guy’s plane and the pilots ditch it, causing Indy and co. to crash land in a village that happens to need their help; they end up at the Maharaja’s palace and after making it through one obstacle (which again is played off as comical) they stumble on the evil lair and horrific sacrifices.

    All of these things just seem to happen, instead of the way Raiders pulls and propels you into the action.

    WHY DIDN’T THIS END INDIANA JONES?

    The surprising thing is, throughout all of this Indiana Jones himself is still awesome. He is still as awesome as can be, which I think is a real testimony to the character Steven Spielberg and George Lucas created.

    Despite the lack of story around him, Indy is still adventurous, bold when he needs to be, daring, and ready to fight his way out. That’s exactly what we loved about him in Raiders, and thankfully we get that same character in Temple. It’s the power of that image above: a man ready for action, unique tools by his side, a smile on his face.

    In addition, the film is saved by an exciting railcar chase and tense fight on a really long rope bridge.

    LESSONS TO LEARN

    So here are some lessons I want to take into my own writing:

    • Make sure every character is in the story for a purpose and has a believable motivation for being there
    • The plot needs to be a series of questions that propel the audience forward, not things that just happen to occur
    • A good character can carry a weak story

    Which of the Indiana Jones films is your favorite? Why do you think it captured your imagination the most?

I’m Jesse

Reading, writing, fantasy, adventure, movies—it’s all been my favorite since I was 8 years old. If you enjoy reading fantasy, adventure fiction, and screenwriting, then you’re in the right place!

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